I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there.

The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.

Architecture must not do violence to space or its neighbors.

Architecture must not do violence to space or its neighbors.

To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.

It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape.

In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert.

I've never left China. My family's been there for 600 years. But my architecture is not consciously Chinese in any sense. I'm a western architect.

A lasting architecture has to have roots.

I think the artistic side of architecture was natural to me. My mother was an artist and a poet.