I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom.

Don't pay any attention to what they write about you. Just measure it in inches.

I'm bored with that line. I never use it anymore. My new line is 'In 15 minutes everybody will be famous.'

When I got my first television set, I stopped caring so much about having close relationships.

Art is what you can get away with.

They always say time changes things, but you actually have to change them yourself.

Isn't life a series of images that change as they repeat themselves?

I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.

I have Social Disease. I have to go out every night. If I stay home one night I start spreading rumors to my dogs.

I think having land and not ruining it is the most beautiful art that anybody could ever want to own.

I had a lot of dates but I decided to stay home and dye my eyebrows.

In the future, everyone will be famous for 15 minutes.

If you're not trying to be real, you don't have to get it right. That's art.

Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.

Land really is the best art.

Making money is art and working is art and good business is the best art.

Making money is art and working is art and good business is the best art.

So many people seem to prefer my silver-screenings of movie stars to the rest of my work. It must be the subject matter that attracts them, because my death and violence paintings are just as good.

It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.

We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.