Stuffed animals are sad and scary; they have humorous and tragic qualities.

I like to produce work for specific places, and it is difficult to do repeat shows in the same space.

I get up in the morning and get to bed at night, and between, I bring equivalent dedication to everything I do, with a horror of the inaccurate and the half-baked.

I produce so little that the works have to be editioned. Otherwise, I don't survive. Also, editioning is relevant for communication. If you make three new works, it means that nine objects are available. Three people talking about your work is fine, but nine makes a difference.

I like to produce work for specific places, and it is difficult to do repeat shows in the same space.

Based on my experience, it's considerably difficult to force a donkey into doing something it perceives to be dangerous for whatever reason.